Thoughts
Drones 4 The Big Ones
Drones 4 The Big Ones.
Visual Scene Challenge
My take on the C74 Jitter challenge: Scene.
Some Generative Tools
Here are a couple of grid generative tools form the archives. They can help you in the creation of ideas.
Salt of The Earth - Documentary Score
A write up about Salt of The Earth score.
Experimental Compositions from 2022
Experimental compositions from 2022
Experimental Compositions from 2021
Some compositions from 2021.
Ten Haikus
Ten Haikus.
Graphic Score Drafts and Compilation
Below I have listed a few of my draft graphic scores as I have made them. These are being complied for a writing project about experimental music in forms I have explored.
LISSITZKY AND SUPREMATIST SPACE
El Lissitzky had discovered a new way to look at various spatial systems that were already in place. In his work he also defined new spaces, which he referred to as Imaginary and Irrational. By fusing Suprematist ideas within Russian Constructivist practices of the time, he created his solution to spatial issues that he saw, called Suprematist Space. He explains these through the use of mathematics as a metaphor. An example use of this space is the Proun Room (Lissitzky, 1923). His explanation of his new systems against the previous systems in place was done only to create a legacy for himself and fulfil his ideal of becoming an Avant-Garde artist. His mathematical metaphors helped to logically explain the merit in current and new spatial ideas.
Live Takes: Rhythm Stick
Thoughts on my Rhythm Stick piece.
Live Takes: Warble Chords
This week’s Live Takes recording was taken from a sample I made last week of some warbling chords. The Korg Minilogue XD played a phrase of arpeggiated rotating notes from my Squarp Pyramid, with a synth patch that focuses on chorus effects, pitch affecting LFOs and highly sustained ADSR envelopes. Being inspired by the minute and a half long sample, I decided I needed to do more with it.
Wong Kar-Wai: Second Cinema Auteur
The internationally acclaimed Hong Kong director Wong Kar-Wai is seen to be an auteur in Second Cinema as his work includes trademarks to distinguish itself from others’. Similar narrative devices, stylistic choices and discourses link his films.
Through - Graphic Score & Audio-Visual Work
This week I made a graphic composition as a part of my weekly output goal. This week’s Live Takes recording was an audio translation of this score.
Warming The Neon
Love can come from cold places.
An Open Letter To Creatives (Matt's thoughts on creativity, motivation and meaning)
Keep up the work. Keep up the work. Keep up the work.