Thoughts
Being An Incremental Artist
This is a blog post that discusses how and why I continue to be an Incremental Artist. In order to hopefully help you!
More Graphic Score Image Tests
Some of the latest images from my Graphic Score Generator.
30 Lessons For My 30th
This week I write about some things I have learnt and thought about life. As I turn 30 this week, I thought I would list 30 things I have learnt that might help someone out there. Enjoy!
Experimental Composition Instructors
Five Fluxus inspired generators for use with experimental composition.
Drones 4 The Big Ones
Drones 4 The Big Ones.
Some Generative Tools
Here are a couple of grid generative tools form the archives. They can help you in the creation of ideas.
Salt of The Earth - Documentary Score
A write up about Salt of The Earth score.
Experimental Compositions from 2022
Experimental compositions from 2022
Experimental Compositions from 2021
Some compositions from 2021.
Ten Haikus
Ten Haikus.
Graphic Score Drafts and Compilation
Below I have listed a few of my draft graphic scores as I have made them. These are being complied for a writing project about experimental music in forms I have explored.
LISSITZKY AND SUPREMATIST SPACE
El Lissitzky had discovered a new way to look at various spatial systems that were already in place. In his work he also defined new spaces, which he referred to as Imaginary and Irrational. By fusing Suprematist ideas within Russian Constructivist practices of the time, he created his solution to spatial issues that he saw, called Suprematist Space. He explains these through the use of mathematics as a metaphor. An example use of this space is the Proun Room (Lissitzky, 1923). His explanation of his new systems against the previous systems in place was done only to create a legacy for himself and fulfil his ideal of becoming an Avant-Garde artist. His mathematical metaphors helped to logically explain the merit in current and new spatial ideas.
Wong Kar-Wai: Second Cinema Auteur
The internationally acclaimed Hong Kong director Wong Kar-Wai is seen to be an auteur in Second Cinema as his work includes trademarks to distinguish itself from others’. Similar narrative devices, stylistic choices and discourses link his films.
Tracked Creative Output Challenge
Over the last 3 months (12 weeks to be exact), I decided to track weekly creative output. I have now completed the challenge and I thought I would share my thoughts on the process and journey.
Warming The Neon
Love can come from cold places.
An Open Letter To Creatives (Matt's thoughts on creativity, motivation and meaning)
Keep up the work. Keep up the work. Keep up the work.